Double speed
A 60-second clip at 2× becomes about 30 seconds long. Frequencies double, raising the pitch by one octave or 12 semitones.
Explore a recording from half speed to double speed. The tool resamples local audio, so faster playback also raises pitch and slower playback lowers it. Preview and WAV export use the same processed samples.
WAV, MP3, Ogg, M4A and other inputs depend on browser codec support. No file is uploaded. Output is always WAV.
Your inputs and generated files are processed locally in your browser. No input is uploaded to an audio or text-processing service.
Choose a mono or stereo clip under 20 MiB and at most 120 seconds long.
Set a speed between 0.5 and 2 times the original. Review the resulting duration and pitch shift.
Preview the changed audio and download a 16-bit PCM WAV if it fits your purpose.
A 60-second clip at 2× becomes about 30 seconds long. Frequencies double, raising the pitch by one octave or 12 semitones.
A 30-second phrase at 0.75× becomes about 40 seconds long. The pitch moves down approximately 4.98 semitones.
Output duration is the original duration divided by the speed multiplier, with rounding to whole sample frames. The displayed pitch change is 12 × log2(rate), measured in semitones.
The implementation reads source samples at a different rate and uses linear interpolation between neighboring frames. It does not separate timing from pitch. Voices sound lower when slowed and higher when accelerated.
Preview plays the same resampled data used for export. The WAV keeps the decoded sample rate and mono/stereo layout, using 16-bit PCM. Linear interpolation is useful for simple experiments but is not a high-quality antialiasing resampler or a mastering tool.
No. Pitch-preserving time stretching requires a different algorithm. This tool deliberately changes pitch with speed.
No. MP3, M4A, Ogg, and other supported inputs are decoded, processed, and exported as actual PCM WAV audio.
The input is limited to 120 seconds. At the minimum speed of 0.5×, the output is about 240 seconds. A 24-million-sample export bound also protects memory.
No. The generated WAV contains its audio format and PCM samples; original metadata and artwork are excluded.